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The Institute for Christian Studies is an independent graduate school for interdisciplinary philosophy. Drawing on the humanities and social sciences, we address questions of truth, justice and social ethics from both theological and philosophical perspectives.
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Resounding Empathy: A Critical Exploration of Ricoeur's Theory of Discourse, to Clarify the Self's Reliance on Relationships with Other PersonsThe goal of this dissertation is to use Ricoeur’s understanding of metaphor as developed in The Rule of Metaphor to further our understanding of the self and its relation to other persons. While Ricoeur does eventually present a full-fledged anthropology, he develops it through narrative structure, which results in a conception of the self that is different than one derived through metaphor might have been. Namely, while a narrative self is congenial to alterity, our thesis is that a self that is conceived through metaphor would rely upon alterity at its most fundamental level: not as a detour or dialectic, but as its very condition of origin. After introducing Ricoeur’s understanding of metaphor in the first chapter, we will use each subsequent chapter to focus on several points after The Rule of Metaphor where Ricoeur might have developed his understanding of the self – and its relation to alterity – somewhat differently than he in fact did under the narrative structure.
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Glory to God in the Kitchen—Art Exhibition and ReceptionMy series of six, still life oil paintings were small in size. Including the frames, five out of the six paintings measured 12 by 16 inches, and one was 9 by 11inches. Initially, I hung the pictures on two, free-standing display panels facing each other in the center of the rotunda, which was well lit and easily seen from the entrance. I also included another panel displaying two small-framed posters designed to match the framed paintings. These advertised the show and included the date and time for the closing reception. I also included an additional framed piece with a brief biography and artist’s statement. The original intent was for the small exhibit to remained on display throughout the month of October. However, the library decided to extend the show into the month of November. After the first month it became clear that the artwork was dwarfed by the large gallery space and the library called to inquire if I might add more artwork to fill out and to expand the show. I agreed to add a few more painted floral paintings which I completed a year before as well as a landscape painting with an autumn color palette. I was concerned that adding additional works that were not directly related to the still life series and theme would dilute the impact and change the mood of the show. I did so reluctantly at first, but I had to admit that the original series of six small canvases appeared “lost” in the gallery space and that adding extra art for an additional month was an appropriate and reasonable request. So, I added the additional pieces which were slightly larger in size- when framed, they measured :14 by 18 inches; 16 by 20-inches and 18 by 24 inches. The extra art did indeed manage to “fill the space in a beautiful way”— to quote Georgia O’Keeffe —when asked to explain the purpose of art. My fear of adding the other pieces turned out to be unfounded and the show “pulled together” quite nicely. The floral paintings and the landscape additions turned out to harmonize well with the original still life paintings and when viewed all together were not at all discordant, but actually created a unified display which appeared visually connected. The viewing public seemed well pleased and the show received numerous compliments and positive comments from library patrons and others who were passing by as I was hanging the paintings. I tried to be as respectful and as quiet as possible while hammering and using various hardware necessary to create the display. Library patrons walked freely throughout the gallery while the show was going up on the walls and some seemed to enjoy watching the process; while others were curious and asked questions about the artwork.
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"I believe in the resurrection of the body"“I believe in the resurrection of the body.” This fundamental tenet of the Christian faith extends beyond belief and into every corner of life. It provides the basis from which we might understand our whole selves as whole selves--to take into account where we are in body, heart, mind, and action. In terms of a guiding idea for curriculum development and for education, this statement calls us to see ourselves and others in primarily relational terms; to value people’s integral and multivalent relationships and all aspects of who, where, and what they are. Such an approach leads to a view of education--and of the human person--inextricably developed “from the ground up.”
