Bernard of Clairvaux on the Song of Songs: a Contemporary Encounter With Contemplative Aspirations
AuthorsMols, Michael John
AffiliationInstitute for Christian Studies
MetadataShow full item record
AbstractRecent scholarship in biblical interpretation has remained suspicious of the "allegorical" approach to scripture, presumed as common to Medieval Christianity, and Bernard of Clairvaux is often acknowledged as paradigmatic of contemplative exegesis. Bernard's Sermons on the Song of Songs is often alleged to be an ultimate example of the dangers of monastic "allegorizing," in that such an approach lacks any consistency of method and maintains an ideological stance that is suspicious of and ultimately rejects the nature of bodily existence. This thesis counters these claims by utilizing the work of contemporary medievalists, instead of contemporary biblical exegetes, as a lens in a close reading of Bernard's Sermones Super Cantica, as well as his textual interaction with Peter Abelard and Peter the Venerable. This thesis suggests that Bernard is consistent in his method of performative reading and holds bodily existence as vital to the monastic and broader Christian way of life.
PublisherInstitute for Christian Studies
Rights holderThis Work has been made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws of Canada without the written authority from the copyright owner.
Degree TitleMaster of Arts (Philosophy)
CollectionsOlder Masters Theses
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 Unported