Metaphoric Truth: Seeing and Saying in Merleau-Ponty and Ricoeur, and a Broader Ethics Via Zuidervaart
dc.contributor.advisor | Smick, Rebekah | en_GB |
dc.contributor.author | Read, Janet | |
dc.date.accessioned | 2013-05-08T18:38:08Z | |
dc.date.available | 2013-05-08T18:38:08Z | |
dc.date.available | NO_RESTRICTION | en_GB |
dc.date.issued | 2010 | |
dc.identifier.uri | http://hdl.handle.net/10756/288659 | |
dc.description.abstract | Artistic meaning via visual art and literary fiction is debated in modern aesthetic thought. Language is a cognitive component in postmodernist aesthetic projects. This thesis investigates Maurice Merleau-Ponty's and Paul Ricoeur's writings on painting and language, respectively, whose phenomenological aim is the revelation of being in works of the imagination in tandem with Lambert Zuidervaart's approach to artistic truth which opens the lifeworld to the biotic context of the earth. For him, imaginative disclosure is integral to techno-scientific and art realms. Embodiment, natality, and expression illuminate the problematic of meaning in forms of postmodern visual art. Metaphoric imagination and metaphor are used for metaphor is a principle of articulation, not a figure of speech. Aesthetic projects connect with the lifeworld in a hermeneutic circle of meaning. | |
dc.language.iso | en | en |
dc.publisher | Institute for Christian Studies | en_GB |
dc.relation.url | http://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR69341.PDF | en_GB |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 Unported | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
dc.subject | Zuidervaart, Lambert | en_GB |
dc.subject | Merleau-Ponty, Maurice, 1908-1961 | en_GB |
dc.subject | Ricoeur, Paul | en_GB |
dc.subject | Truth (Aesthetics) | en_GB |
dc.subject | Truth | en_GB |
dc.subject | Metaphor | en_GB |
dc.subject | Language and languages | en_GB |
dc.subject | Art and philosophy | en_GB |
dc.subject.lcsh | Truth (Aesthetics) | en_GB |
dc.subject.lcsh | Truth--Philosophy | en_GB |
dc.subject.lcsh | Metaphor | en_GB |
dc.subject.lcsh | Language and languages--Philosophy | en_GB |
dc.subject.lcsh | Art and philosophy | en_GB |
dc.title | Metaphoric Truth: Seeing and Saying in Merleau-Ponty and Ricoeur, and a Broader Ethics Via Zuidervaart | en |
dc.type | Thesis | en |
dc.contributor.department | Institute for Christian Studies | en_GB |
dc.type.degreetitle | Master of Arts (Philosophy) | en_GB |
dc.rights.holder | This Work has been made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws of Canada without the written authority from the copyright owner. | en_GB |
html.description.abstract | Artistic meaning via visual art and literary fiction is debated in modern aesthetic thought. Language is a cognitive component in postmodernist aesthetic projects. This thesis investigates Maurice Merleau-Ponty's and Paul Ricoeur's writings on painting and language, respectively, whose phenomenological aim is the revelation of being in works of the imagination in tandem with Lambert Zuidervaart's approach to artistic truth which opens the lifeworld to the biotic context of the earth. For him, imaginative disclosure is integral to techno-scientific and art realms. Embodiment, natality, and expression illuminate the problematic of meaning in forms of postmodern visual art. Metaphoric imagination and metaphor are used for metaphor is a principle of articulation, not a figure of speech. Aesthetic projects connect with the lifeworld in a hermeneutic circle of meaning. |
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ICS older Masters theses published before 2011.