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dc.contributor.advisorSeerveld, Calvinen_GB
dc.contributor.authorLinnell, Greg S.
dc.date.accessioned2013-05-10T15:29:01Z
dc.date.available2013-05-10T15:29:01Z
dc.date.availableNO_RESTRICTIONen_GB
dc.date.issued1993-09
dc.identifier.urihttp://hdl.handle.net/10756/290830
dc.format.mimetypeapplication/pdf
dc.language.isoenen
dc.publisherInstitute for Christian Studiesen_GB
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Unported
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/
dc.subjectBordwell, Daviden_GB
dc.subjectThompson, Kristin, 1950-en_GB
dc.subjectMotion picturesen_GB
dc.subjectFormalism (Art)en_GB
dc.subjectCinemaen_GB
dc.subjectAestheticsen_GB
dc.subjectEpistemologyen_GB
dc.subjectNeoformalismen_GB
dc.subject.lcshMotion pictures--Aestheticsen_GB
dc.subject.lcshFormalism (Art)--Soviet Unionen_GB
dc.subject.lcshAestheticsen_GB
dc.subject.lcshKnowledge, Theory ofen_GB
dc.titleProspects for a Historical Poetics of Cinema: David Bordwell, Kristin Thompson, and Neoformalismen
dc.typeThesisen
dc.contributor.departmentInstitute for Christian Studiesen_GB
dc.type.degreetitleMaster of Philosophical Foundationsen_GB
dc.rights.holderThis Work has been made available by the authority of the copyright owner solely for the purpose of private study and research and may not be copied or reproduced except as permitted by the copyright laws of Canada without the written authority from the copyright owner.en_GB
refterms.dateFOA2018-03-05T11:55:52Z


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